Memory of a Kind Friend (11) Journal Article

Machine summary:

In issue number 75 of Bukhara magazine, in the "Memory of the Kind Beloved" section, in an essay we wrote about Shams Tabriz, we mentioned the Sama dance, which was organized by the command of Shams Tabrizi and later became widespread among the followers of Rumi in Konya; now, here we focus more on the cause and structure of spinning in the Sama dance. In this essay, we attempt to analyze the structure of movement in Sama to explore why Shams taught spinning in the dance, and for this purpose, we will rely solely on the writings of Rumi's disciples. Since Sama is a dance with a spinning movement, we first refer to the fundamental structure of the view that considers movement as part of the symbol of creation, and we examine the theory of the Ikhwan al-Safa, which is a turning point between Iranian and Islamic perspectives. 89- Zubaydah, Wife of Harun al-Rashid Writing about the wall in the previous issue of Yad-e Yar-e Mehraban, Bukhara Magazine (Yad-e Yar-e Mehraban, No. 86) reminded me of another wall that has emerged in our literary society called "the veiled ones" (parde-neshinan), and among them, the history of women's poetry and epic composition within the scope of Persian language and literature. In the history of women's poetry within the scope of our Persian language and literature, we encounter several names, including Dayarakht from the Sassanid era, Zubaydah, the wife of Harun al-Rashid, and Rabia Balkhi, the daughter of the ruler of Balkh.