چکیده:
Objective correlative is a technique in which, by selecting a set of objects, situations, themes, states, or chains of events, the poet effectively creates an emotional response in the reader. In this state, the poet does not need to explicitly express feelings; rather, they evoke them in the reader's mind through objects, situations, etc. In the poems of Nima Yooshij and Ahmad Shamlou, we see many examples of the technique of objective correlative. It seems that so far no prominent and significant research on the objective correlative of these two poets has been seen; therefore, the aim of this article is to compare this technique in some of the poems of these two. From Nima's poems, one can mention Shab-e Pa, Bekhan Ey Hamsafar Ba Man, Shab-e Hame Shab, Hast Shab, and from Shamlou's poems, Rande, Gol-e Koo, Sokhani Nist, Ou Ra Seda Bezan, Marsiyeh, Vasl, and Ibrahim dar Atash.
خلاصه ماشینی:
MA graduate, Department of English Language and Literature, Islamic Azad University, Arak Branch, Arak, Iran Received: 2011/06/27 Accepted: 2012/01/08 Abstract Objective correlative 1 is a technique in which the poet, by selecting a set of objects, situations, themes, states, or chains of events, effectively creates an emotional response in the reader.
Therefore, the artist, poet, or writer must create the work in an artistic manner, and the only way to express emotions in an artistic form is by finding an external equivalent, meaning an object, a situation, or an event.
From a material perspective, night (and the world with it) appears in the form or appearance of a dead person, and from a psycho-social perspective, it contains within itself the dark atmosphere of a certain social life or a state of existential distress and even death; meaning the poet achieves the creation of a new situation of nature, an object, or existence as a whole (Falaki, 1380: 113).
These conditions are so suffocating that they have driven poets like Shamlu and Nima into isolation and made them suffer from the political situation prevailing in society; a political situation that prevented them from overt opposition, leaving the only way to express their feelings and emotions as poems that convey concepts to the reader in an objective form.
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